The Bauhaus school that sprung to prominence between World War I and II was inspiration to many artists. Students and instructors there were a gifted group. These were individuals who challenged thoughts concerning what art is. The lectures and writings of the esteemed who taught there often influenced the generations which followed.
One of these highly skilled individuals was known for his great drawing technique and his concise, thought provoking lectures. He influenced the way many people think about modern art, creating more understanding and acceptance of it through his devotion to expressing his own art in many modern schools of style. Swiss artist Paul Klee undeniably has an important place in art history due to his intensive work on color theory and his lectures named Writings on Form and Design Theory. In later years, these were translated so that English readers could gain access to them.
Swiss people identify themselves as being either German or French. Paul was raised in a German household. His writings about the arts have been translated from German into English, making them accessible most everywhere. His father was a teacher, and his mother a singer. Paul had a love for the musical classicists, but his paintings were decidedly rebellious. Regardless, he embraced the arts as complementary to each other, sharing rhythms and patterns.
When he first entered the Munich Academy of Fine Arts, he spent his time drawing highly detailed pictures. His tendency to avoid using color prompted him to consider that perhaps he might never paint very well. Later on, he began to experiment with colors and painting, drawing inspiration from many artistic movements. For this reason, others did not view him as creating any particular style, but rather being an exploration of many. He was distracted during his academy years by drinking and pub liaisons with women. He did have a child that unfortunately died within a short time after its birth.
Expressive color filled his works. His art was created with childlike strokes. He often chose to paint on found materials, simply to break away from traditional paper and canvas. His students knew his ability to compare and contrast themes from literature, music and the visual arts. He believed these were challenging pursuits. His work with intense color palettes was often combined with his own abstract language of symbols. He used a wide variety of them to indicate things important to him, but was unconcerned about how others interpreted what he painted.
As a philosopher, he viewed his artwork as a means to show the essence of other places and times. He believed these existed as realms around our world. He viewed these as not being material, but rather spiritual, though not necessarily religious, places. Doing so helped him to retain an interest in fantasy and the imagination in a very childlike way.
Rather than placing his work into any category, critics write about how many styles were his inspiration. He was a rebellious artist that spontaneously created colorful and bold works that often broke accepted rules. He was a presenter of styles, yet not tied to any of them.
To understand the man, it can be helpful to read his personal diaries, explore his drawing notebooks, and to view his work. His intimate writings tell much. The paintings are expressions of a completely unique person.
One of these highly skilled individuals was known for his great drawing technique and his concise, thought provoking lectures. He influenced the way many people think about modern art, creating more understanding and acceptance of it through his devotion to expressing his own art in many modern schools of style. Swiss artist Paul Klee undeniably has an important place in art history due to his intensive work on color theory and his lectures named Writings on Form and Design Theory. In later years, these were translated so that English readers could gain access to them.
Swiss people identify themselves as being either German or French. Paul was raised in a German household. His writings about the arts have been translated from German into English, making them accessible most everywhere. His father was a teacher, and his mother a singer. Paul had a love for the musical classicists, but his paintings were decidedly rebellious. Regardless, he embraced the arts as complementary to each other, sharing rhythms and patterns.
When he first entered the Munich Academy of Fine Arts, he spent his time drawing highly detailed pictures. His tendency to avoid using color prompted him to consider that perhaps he might never paint very well. Later on, he began to experiment with colors and painting, drawing inspiration from many artistic movements. For this reason, others did not view him as creating any particular style, but rather being an exploration of many. He was distracted during his academy years by drinking and pub liaisons with women. He did have a child that unfortunately died within a short time after its birth.
Expressive color filled his works. His art was created with childlike strokes. He often chose to paint on found materials, simply to break away from traditional paper and canvas. His students knew his ability to compare and contrast themes from literature, music and the visual arts. He believed these were challenging pursuits. His work with intense color palettes was often combined with his own abstract language of symbols. He used a wide variety of them to indicate things important to him, but was unconcerned about how others interpreted what he painted.
As a philosopher, he viewed his artwork as a means to show the essence of other places and times. He believed these existed as realms around our world. He viewed these as not being material, but rather spiritual, though not necessarily religious, places. Doing so helped him to retain an interest in fantasy and the imagination in a very childlike way.
Rather than placing his work into any category, critics write about how many styles were his inspiration. He was a rebellious artist that spontaneously created colorful and bold works that often broke accepted rules. He was a presenter of styles, yet not tied to any of them.
To understand the man, it can be helpful to read his personal diaries, explore his drawing notebooks, and to view his work. His intimate writings tell much. The paintings are expressions of a completely unique person.
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